Film negatives, x-ray and acrylic paint on acrylic sheet with LED, mounted on wood panel
130cm x 112cm
"This painting came at a point where I was studying the use of geometry in the compositional work of Leonardo Da Vinci. This was the main factor in the decision to use a halo for the first time in my work. It felt right to leave a very loose and raw finish, as the composition naturally holds everything together very tightly."
Psychic Compound | C24 Gallery
Solo show, New York
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